An essential analysis of cinema from one of the great figures of French philosophy The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and it...(展开全部)

This book explores the border zones between life and non-life as represented in cinema from the end of the nineteenth century, when France led the global film industry, to the first decades of the twenty-first century, when world film markets are dominated by Hollywood. Informed by both the Internet of Things and the Parliament of Things, The Cinema of Things examines cinematic...(展开全部)

"The Cinema of Eisenstein" is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of the film. The director of such classics as Potemkin, Ivan the Terrile, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of the film epic. Comp...(展开全部)

How can a voice whose source is never seen--such as Hal in 2001: A Space Odyssey or the mother of Norman Bates in Psycho--have such a powerful hold on an audience? When does "synchronized sound" fail to link bodies to their voices, and how do such great stylists of sound film as Jacques Tati, Kenji Mizoguchi, and Marguerite Duras deploy the power of the voice? In this brillia...(展开全部)

The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira K...(展开全部)

The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira K...(展开全部)

An essential analysis of cinema from one of the great figures of French philosophy The cinema, like language, can be said to exist as a system of differences. In his latest book the acclaimed philosopher Jacques Rancière relates cinema to literature and theatre. With literature, he argues, cinema takes its narrative conventions, while at the same time effacing its images and it...(展开全部)

In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications...(展开全部)

Now a major motion picture from USA Films starring Kristin Scott Thomas and Sean Penn, and director Philip Haas (director of Angels and Insects). In Up at the Villa, W. Somerset Maugham portrays a wealthy young English woman who finds herself confronted rather brutally by the repercussions of whimsy. On the day her older and prosperous friend asks her to marry him, Mary Leonard...(展开全部)